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The Art of Mort Künstler / The Gallery Store / Limited Edition Prints / American Revolution /

Lafayette With Washington at Morristown – limited edition print
Morristown, New Jersey, Spring 1780

Signature Canvas Signed & Numbered - $520.00

Signature Canvas Signed Artist's Proof - $650.00

Classic Canvas Signed & Numbered - $685.00

Classic Canvas Signed Artist's Proof - $850.00

Premier Canvas Signed & Numbered, Unstretched - $995.00

Premier Canvas Artist's Proof, Unstretched - $1,250.00

Collector's Canvas Signed & Numbered, Unstretched - $2,995.00

Collector's Canvas Signed Artist's Proof - $3,495.00


The PREMIER and COLLECTOR'S editions are shipped FREE and UNSTRETCHED. Stretching is available at an additional charge.
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Custom framing is available for this print.
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Giclée Canvas Prints

Reproduction technique: Giclées are printed with the finest archival pigmented inks on canvas.
Each print is numbered and signed by the artist and accompanied by a Certificate of Authenticity.

Signature Edition Canvas 18" x 24"
Signed and Numbered • Edition Size: 100
Signed Artist’s Proof • Edition Size: 10

Classic Edition Canvas 21” x 28”
Signed and Numbered • Edition Size: 50
Signed Artist’s Proof • Edition Size: 10

Premier Edition Canvas 27” x 36”
Signed and Numbered • Edition Size: 15
Signed Artist’s Proof • Edition Size: 5

Collector's Edition Canvas 34” x 45”
Signed and Numbered • Edition Size: 5
Signed Canvas Artist’s Proof • Edition Size: 2

Historical Information

Gen. George Washington made his headquarters in Morristown, New Jersey during the winter of 1779-80. During this time the Marquis de Lafayette returned to France after having served with distinction in the Continental Army since 1777. While in France he helped persuade Louis XVI and his ministers to support Washington’s forces by sending an army of 6,000 soldiers. Dressed in his uniform of a Major General in the American Army, Lafayette arrived back in America in the spring of 1780 with a secret message for Washington from the King that he would receive help from France.

As Spring arrived, the snow melted at Morristown. Washington emerged from the Ford Mansion, where he had spent the winter, and was warmly welcomed by his men. Equally warmly, he welcomed back the Marquis de Lafayette, who had spent several months in France.

The previous autumn, while Lafayette was away, Washington had held a dinner for Anne-Cesar, chevalier de la Luzerne, the French minister to the United States. During the meal, Washington raised a glass of wine and drank to the health of Lafayette. He turned to Luzerne's secretary, Francois, marquis de Barbe-Marbois, and asked if he had seen Lafayette in France. Yes, Barbe-Marbois replied, and added that Lafayette had spoken of Washington with the "tenderest veneration." Hearing that his friend was well and honored by his countrymen, Washington "blushed like a fond father whose child is being praised." Barbe-Marbois remembered that "tears fell from his eyes, he clasped my hand, and could hardly utter the words: 'I do not know a nobler, finer soul, and I love him as my own son."

Lafayette's return from France and appearance side by side with Washington brought an air of festivity and expectancy to the soldiers gathered in Morristown. There was indeed good news. Lafayette had brought word that significant help – a French army, and possibly a fleet – was on the way. The war was about to enter its final phase.

Mort Künstler's Comments

I decided to use the Ford Mansion as a backdrop for my painting. Washington used this building as his headquarters during the winter of 1779-80. It was in the spring of 1780 that he received from the Marquis de Lafayette the welcome news of the help he would receive from France.


All illustrations by Mort Künstler. Text by Michael Aubrecht, Dee Brown, Henry Steele Commager, Rod Gragg, Mort Künstler, Edward Lengel, James McPherson, and James I. Robertson, Jr. - Copyright © 2001-2022. All Rights Reserved. No part of the contents of this web site may be reproduced or utilized in any form by any means without written consent of the artist.