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New Book By Mort Künstler is
Official Companion to Gods and Generals Film


Gods and Generals:
The Paintings of Mort
Künstler
Mort Künstler, who is acclaimed in national art circles as "America's premier historical artist," is the official artist of the new motion picture Gods and Generals. The long-awaited feature film is opening in theaters throughout the nation - accompanied by an official companion book of Mort Künstler's Civil War art. Since he began specializing in Civil War scenes more than 15 years ago, Mort Kunstler has become the "most-collected" Civil War artist in America. His limited edition fine art prints, which are published by American Spirit Publishing, Inc., are displayed in homes, offices and historical sites throughout the nation. To date, Kunstler has painted more than one-hundred scenes from the War Between the States.

His new book, Gods and Generals: The Paintings of Mort Künstler showcases Künstler's Civil War art in a chronicle of the history on which the Jeff Shaara novel and the motion picture are based. Ron Maxwell, the director of Gods and Generals and the hugely popular motion picture Gettysburg, chose Künstler as the film's official artist.

 
Mort Künstler on the set of Gods and Generals with
Robert Duvall and Ron Maxwell in Hagerstown, MD
 

"As the director and script-writer of Gods and Generals," says Maxwell, "I wanted to demonstrate the authenticity of the motion picture by developing an official history of the period in which the film and the novel are set. I knew immediately that this would be a Mort Künstler book. His work on a similar companion book to the motion picture Gettysburg was exceptional, and we wanted the same standards for Gods and Generals.

"An equally famous Civil War authority, Dr. James I. Robertson, Jr., known to the scholars and students of the war as the dean of Civil War historians, is author of the book's narrative," says Maxwell. "What a remarkable combination - the artwork of Mort Künstler and the words of James Robertson. This new book is a fitting tribute to the Americans of the Civil War - Northerners and Southerners, soldiers and sailors, white and black - who bequeathed to us a lasting legacy of courage and sacrifice as Americans all."

In a recent interview at his New York studio, Künstler discussed his artwork, his new book and his time on the film set of Gods and Generals.



Q: You saw a preview screening of Gods and Generals. Do you think it depicts the Civil War authentically?
A: Oh, it's even better than Gettysburg, which I thought was probably the most authentic motion picture about the Civil War ever produced. Gods and Generals is not just about a single battle - it surveys the war and its key personalities leading up to Gettysburg. It's also a "people picture" - it tells a captivating and true story about a remarkable group of people. You could care nothing about the history of the Civil War, and you'd still be fascinated by this movie.

Q: So, it's historically authentic and powerful, too?
A: Oh, absolutely. You'd have to be made of stone to not weep in parts of this film. It's a phenomenal combination of history and art. Ron Maxwell has done such an outstanding job with this film. The historical re-creation is superb and the characterizations are excellent. The whole production is just beautifully done. It's an outstanding achievement.

Q: How long have you known Ron Maxwell, the film's director?
A: Oh, about ten years or so - we met while he was directing Gettysburg. I was asked to be the official artist for that film and did the companion history book that accompanied it. He had previously attended one of my art openings at Hammer Galleries in New York City - which handles my original art - but we really didn't know each other until Gettysburg.

Q: What did you think of the film-making process as you saw it on site?
A: Oh, it's very challenging. What he does to capture history requires an incredible amount of work.

Q: What was your role with the film?
A: My main role was producing the official companion book to the film. I also gave Ron my opinion about scenes when I was asked. We spent the whole day and evening together after one of the screenings.

His Supreme Moment

Q: Is it true that some of the scenes in Gods and Generals were set up based on the composition of some of your paintings?
A: Not many - just a few - but that's correct. I offered Ron my researched artworks to help in any way, and he told me later that he set up some shots based on my works. I considered that a great compliment. He used His Supreme Moment - which depicts Lee at Chancellorsville - and "War is So Terrible" - which is set at Fredericksburg, and some other paintings. I also used some of Ron's scenes as inspiration for a number of paintings in the book. I guess you could say that our working together was mutually beneficial.

Q: How do you feel about the new book - Gods and Generals: The Paintings of Mort Künstler?
A: You know, it's impossible for me to judge my own work. I fall in love with every painting I do - and it's like that with this book. I've been told it's the most beautiful book we've done so far. You know, we also have a series of historical prints called the "Official Gods and Generals Series," which depicts four key historical events some of which are presented in the film. I'm happy to say that they're being very well received by the public so far.

Q: Dr. James I. Robertson, Jr. wrote the book's narrative. You've done other books with him - do you enjoy working with him?
A: Oh, he's wonderful, such a gentleman. And so knowledgeable. You know he's called the "dean of Civil War historians" and that's for good reason: He loves history and he knows so much. He's a dear friend and I always enjoy working with him.

Q: How do people find your limited edition prints, if they want to buy some?
A: That's easy. Most art galleries or frame shops can order our limited edition fine art prints. We have hundreds of dealers around the country. You can call my publisher at 800-850-1776 or go to our website www.mortkunstler.com and find a list of our authorized dealers.

Q: So what's the future hold for Mort Künstler? Is it true that you relax by chopping wood?
A: (Laughs.) That's true. I just finished splitting a big pile of firewood. As for the future, I love what I'm doing. I'm thankful that I'm healthy, and you know there's no such thing as a retired artist. So I hope to paint a lot more pictures. And, listen, I've got some great subjects planned for the future - some really great paintings are coming out this year. And I've got some great scenes that are just begging to be painted….

 

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All illustrations by Mort Künstler. Text by Dee Brown, Henry Steele Commager, Rod Gragg, Mort Künstler, James McPherson, and James I. Robertson, Jr. - Copyright © 2001. All Rights Reserved. No part of the contents of this web site may be reproduced or utilized in any form by any means without written consent of the artist.

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