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The Art of Mort Künstler / The Gallery Store / Limited Edition Prints / The Art of Adventure /

Many of Mort’s early illustrations were created for popular men’s magazines of the 1950s and 1960s – such as Argosy, For Men Only, Male, Men, Outdoor Life, Sports Afield, Stag and True – as well as advertisements, book covers, model kit boxes and movie posters. These images are now available as limited edition giclées.



Battle for St. Augustine, 1702 – limited edition print
Agony of a Town Aflame – Castillo de San Marcos


Quantity:
Option:
Signature Edition Canvas Signed and Numbered - $590.00

Signature Edition Canvas Artist's Proof - $740.00

Classic Edition Canvas Signed and Numbered - $810.00

Classic Edition Canvas Artist's Proof - $1,015.00

Premier Edition Canvas Signed and Numbered - $1,045.00

Premier Edition Canvas Artist's Proof - $1,310.00

Collector's Edition Canvas Signed and Numbered - $2,995.00

Collector's Edition Canvas Artist's Proof - $3,495.00



 


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The Premier and Collector's editions ship unstretched. Stretching option is available at an additional charge.
Please contact us for pricing: 800-850-1776 or info@mortkunstler.com.




Custom framing is available for this print. Please call 800-850-1776 or email info@mortkunstler.com for more information.


LIMITED EDITION PRINTS

Giclée Canvas Prints
Reproduction technique: Giclées are printed with the finest archival pigmented inks on canvas.
Each print is numbered and signed by the artist and accompanied by a Certificate of Authenticity.


Signature Edition 18" x 28"
Signed & Numbered • Edition Size: 100
Signed Artist's Proof • Edition Size: 10

Classic Edition Size: 24" x 37"
Signed & Numbered • Edition Size: 50
Signed Artist's Proof • Edition Size: 10

Premier Edition Size 28" x 43"
Signed & Numbered • Edition Size: 15
Signed Artist's Proof • Edition Size: 5

Collector's Edition Size: 34" x 52"
Signed & Numbered • Edition Size: 5
Signed Artist's Proof • Edition Size: 2


Historical Information

This is a dramatic episode from the struggle for the American continent, one that portended the final struggle between the Spanish- and the English-speaking peoples, which assigned the Floridas to the United States. As early as the 1600’s Charles II granted the Carolinas, Georgia, and much of Florida to the Earl of Clarendon and his associates; soon the English had established flourishing settlements in the Carolinas. With the outbreak of the War of the Spanish Succession – called Queen Anne’s War in America – the Carolina Assembly authorized an expedition to seize St. Augustine before it could be captured by the French. In midwinter, 1702, a mixed force of some five hundred Carolinians and Indians attacked St. Augustine. They burned the town but found the fort impregnable – so impregnable that the Spanish never used their cannon except in the vain attempt, pictured here, to curb the fires that threatened the town itself.

In 1762, the British captured Havana and the next year exchanged Cuba for the Floridas. Yet Spanish control was ended only temporarily. During the American Revolution, Spain associated herself with the successful rebels and by the second Treaty of Paris, 1783, was rewarded by repossession of Florida. This was to prove intolerable to the new American republic. In 1810 Americans launched an attack on West Florida and President Madison promptly proclaimed its annexation to the United States. A few years later General Jackson was authorized to pursue hostile Seminole Indians in East Florida. “Let it be signified to me throughout any channels,” he wrote, “that the possession of the Floridas would be desirable to the United States and in sixty days it will be accomplished”; and soon it was – though not quite in sixty days. In 1819 Spain was forced to sell the Floridas to the United States for five million dollars (a good bargain, since all the money was applied to settle American claims against Spain!). So ended three hundred years in which Florida was a pawn in the struggle for a continent.



Mort Kunstler’s Comments

For this painting, I went directly to St. Augustine, where I was helped in my research by consultations with historians from the National Park Service. My knowledge of Spanish came in handy, as I found myself poring through old archives at the fort – a part of the job I found particularly fascinating.

 

 
All illustrations by Mort Künstler. Text by Michael Aubrecht, Dee Brown, Henry Steele Commager, Rod Gragg, Mort Künstler, Edward Lengel, James McPherson, and James I. Robertson, Jr. - Copyright © 2001-2017. All Rights Reserved. No part of the contents of this web site may be reproduced or utilized in any form by any means without written consent of the artist.